In their most primitive sense, one end of the chamber or room was equipped with a speaker and the other end had a microphone. Placing the mic at various distances from the speaker affected the amount of delay that could be achieved. It was a very much a hands on approach that required some trial and error to get the desired effect.
At Stax, the same principal was utilized; however, a specially constructed room was unnecessary. The theater’s former men’s room with its tile floor and walls was the perfect echo chamber. Equipped with a speaker and microphone, the bathroom worked great and that’s where the story of today’s Stax hit begins.
One of the songwriting/production teams at Stax included Isaac Hayes and David Porter. While working on a particular recording session, Porter excused himself to answer the call of nature. Taking longer than expected, Hayes called down to the echo chamber/facilities to find out how long Porter would be taking. David answered, “Hold on – I’m Comin’.” This phrase evolved into their next song that would become a hit for Sam Moore and Dave Prater – better known collectively as Sam & Dave.
“Hold On! I’m Comin’” or “Hold On! I’m A Comin’,” as the song’s title appears on the single, was released in March 1966. It has been suggested that the single’s label was a typesetter’s error and the album has the correct title. It is also registered with BMI as “Hold On! I’m Comin’.”
It was a #1 R&B hit and peaked on the Hot 100 at #21. The single was a complete Stax production featuring Booker T and the MG’s and the Mar-Keys Horns with the instrumentation. The song also became the title cut of Sam & Dave’s next album.
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