Odetta’s 1956 version is a cappella and continually gets faster as the song progresses and has its roots in field hollers that were the roots of Southern Blues. Elvis’ version from 1967 was titled as “Run On” and his treatment with the Jordanaires was in a Southern Gospel vein. There is a minimalistic approach to Johnny Cash’s version.
Although not as sparse as Odetta’s recording, the Johnny Cash version includes several guitars, foot stomps, hand claps, and a jaw harp. It is slower than either Odetta’s or Elvis’ recording. Others (such as Moby) recorded the song prior to Cash; however, these versions probably held no influence on Cash’s interpretation.
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